Cómo Corregir Errores en el Formulario de Visa DS-160

Cà ³mo Corregir Errores en el Formulario de Visa DS-160  ¿Por Quà © Es Importante Corregir los Errores? El DS-160 es el formulario  electrà ³nico  que se utiliza para solicitar o renovar las  visas de no inmigrante (turista, estudiante, intercambio, trabajo temporal, etc). Todo lo que ahà ­ se declara debe ser cierto y mentir se considera un fraude de ley; en consecuencia cualquier error de informacià ³n debe ser corregido apenas se caiga en la cuenta del error, antes y/o despuà ©s de haber enviado el formulario. No corregir los errores puede demorar el proceso de la visa hasta que se llene de nuevo un formulario, o simplemente puede generar un rechazo en la aplicacià ³n. Ambos casos son pà ©rdidas de tiempo y dinero. Cà ³mo Corregir los Errores en el Formulario DS-160 Los errores se pueden corregir fcilmente antes de enviar la planilla: Coloque el cursor del ratà ³n (mouse) sobre la respuesta que hay que modificar y oprima la opcià ³n edit para cambiarla. Luego oprima save para actualizar la respuesta. En el caso en el que el formulario ya se haya enviado hay dos opciones: Busque en su disco duro si tiene la versià ³n del formulario que ya ha enviado. Si este es el caso, abra el archivo y busque el enlace al DS-160 en internet. Oprima la opcià ³n de upload a previous application, y clique edit para cambiar la respuesta necesaria. Una vez hecho el cambio oprima save para actualizar. Si no tiene grabada la versià ³n que ya ha enviado debe llenar nuevamente, y con mucho cuidado, el formulario, cerciorndose de que todas las respuestas sean verà ­dicas. Errores Ms Graves en el DS-160   Se consideran errores particularmente graves los que dan informacià ³n falsa o inexacta acerca de: Viajes anteriores a Estados Unidos.Rechazo de una solicitud previa para una visa.Arrestos o condenas tanto en Estados Unidos como en otros paà ­ses.Problemas con una autoridad de los Estados Unidos.Falsedad acerca de familiares en Estados Unidos o familiares de nacionalidad estadounidenses. En este punto hay que prestar especial atencià ³n a los padres de nià ±os nacidos en Estados Unidos (el oficial de visas puede pedir facturas hospitalarias de dà ³nde nacià ³ el bebà © para cerciorarse de que no se hayan generado gastos a Medicaid). Consideraciones Generales Para Solicitar la Visa Antes de pedir la visa considere si usted es inelegible o inadmisible y evite que su solicitud sea rechazada. En el primer caso se considera inelegible a la persona que no ha podido demostrar suficientes recursos econà ³micos o lazos familiares y/o de trabajo en el lugar de residencia fuera de Estados Unidos. En el segundo caso, se considera inadmisible a una persona que ha estado previamente en condicià ³n de ilegal en Estados Unidos. Si usted est en proceso de recibir una green card, no solicite visa de turismo porque lo ms probable es que le sea negada. Consejos Para Conservar la Visa Aprobada Una vez su visa es aprobada aconsejamos: Tomar este test de respuestas mà ºltiples para repasar la informacià ³n bsica acerca de la visa de turismo.Conocer las 10 causas ms frecuentes por las que las visas se cancelan. Ser prudente con la frecuencia de los ingresos a los Estados Unidos. Este artà ­culo es meramente informativo y no pretende ser es asesorà ­a legal.

Memorable Martha Graham Quotes

Memorable Martha Graham Quotes Martha Graham  (1894-1991) was one of the best-known teachers and choreographers of modern dance. Selected Martha Graham Quotations All things I do are in every woman. Every woman is Medea. Every woman is Jocasta. There comes a time when a woman is a mother to her husband. Clytemnestra is every woman when she kills. You are unique, and if that is not fulfilled, then something has been lost. Some men have thousands of reasons why they cannot do what they want to, when all they need is one reason why they can. The body is a sacred garment. There is a vitality, a life-force, an energy, a quickening that is translated through you into action and because there is only one of you in all of time, this expression is unique. And if you block it, it will never exist through any other medium and be lost. The body says what words cannot. The body is your instrument in dance, but your art is outside that creature, the body. Our arms start from the back because they were once wings. No artist is ahead of his time. He is his time. It is just that the others are behind the time. Dance is the hidden language of the soul. Dancing is just discovery, discovery, discovery. Nobody cares if you cant dance well. Just get up and dance. Great dancers are not great because of their technique, they are great because of their passion. Dance is a song of the body. Either of joy or pain. I did not want to be a tree, a flower or a wave. In a dancers body, we as audience must see ourselves, not the imitated behavior of everyday actions, not the phenomenon of nature, not exotic creatures from another planet, but something of the miracle that is a human being. I am absorbed in the magic of movement and light. Movement never lies. It is the magic of what I call the outer space of the imagination. There is a great deal of outer space, distant from our daily lives, where I feel our imagination wanders sometimes. It will find a planet or it will not find a planet, and that is what a dancer does. We look at the dance to impart the sensation of living in an affirmation of life, to energize the spectator into keener awareness of the vigor, the mystery, the humor, the variety, and the wonder of life. This is the function of the American dance. Think of the magic of that foot, comparatively small, upon which your whole weight rests. Its a miracle, and the dance is a celebration of that miracle. Dancing appears glamorous, easy, delightful. But the path to paradise of the achievement is not easier than any other. There is fatigue so great that the body cries, even in its sleep. There are times of complete frustration, there are daily small deaths. We learn by practice. Whether it means to learn to dance by practicing dancing or to learn to live by practicing living, the principles are the same. One becomes in some area an athlete of God. It takes ten years, usually, to make a dancer. It takes ten years of handling the instrument, handling the material with which you are dealing, for you to know it completely. Misery is a communicable disease. In 1980. a well-meaning fundraiser came to see me and said, Miss Graham, the most powerful thing you have going for you to raise money is your respectability. I wanted to spit. Respectable! Show me any artist who wants to be respectable. Im asked so often at ninety-six whether I believe in life after death. I do believe in the sanctity of life, the continuity of life and of energy. I know the anonymity of death has no appeal for me. It is the now that I must face and want to face.